{"id":150,"date":"2023-12-09T21:35:40","date_gmt":"2023-12-09T21:35:40","guid":{"rendered":"https:\/\/artchery.org\/wordpress\/?page_id=150"},"modified":"2024-09-28T20:12:21","modified_gmt":"2024-09-28T20:12:21","slug":"home","status":"publish","type":"page","link":"https:\/\/artchery.org\/wordpress\/","title":{"rendered":"Home"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"150\" class=\"elementor elementor-150\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1332c730 e-flex e-con-boxed e-con e-parent\" data-id=\"1332c730\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4fe1eb3e elementor-widget elementor-widget-heading\" data-id=\"4fe1eb3e\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Merging Aesthetics and Science <br>in the Art of the Yumi and Ya<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fbfa6aa e-con-full e-flex e-con e-parent\" data-id=\"fbfa6aa\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-6721001 e-con-full e-flex e-con e-child\" data-id=\"6721001\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;,&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7753699 elementor-widget elementor-widget-heading\" data-id=\"7753699\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">About Me<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a7000e3 elementor-widget elementor-widget-image\" data-id=\"a7000e3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"443\" height=\"202\" src=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2024\/09\/CIMG1925.jpg\" class=\"attachment-large size-large wp-image-2108\" alt=\"\" srcset=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2024\/09\/CIMG1925.jpg 443w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2024\/09\/CIMG1925-300x137.jpg 300w\" sizes=\"(max-width: 443px) 100vw, 443px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">John C. Neu, Ph.D. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-81f8b13 elementor-widget elementor-widget-text-editor\" data-id=\"81f8b13\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>My practice of Kyudo began in 1993, when I attended a seminar conducted by Don Symanski, a kyudoka and yumishi associated with Zenko International.\u00a0 That early training followed the Heki Ryu Bishu Chikurin Ha style of Kyudo as taught by Zenko&#8217;s founder Kanjuro Shibata XX. There was strong\u00a0 emphasis on Kyudo as a meditation practice. In particular, I attended Kyudo seminars run by Don Symanski at Zen Mountain Monastery, Mt. Tremper, NY. In 2012 I moved from California to North Carolina; since then, I train in the Shomen form with Aaron and Reiko Blackwell sensei, affiliated with the the South Carolina Kyudo Renmei.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b4f66bd elementor-widget elementor-widget-heading\" data-id=\"b4f66bd\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Scientific credentials<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-57ea658 elementor-widget elementor-widget-text-editor\" data-id=\"57ea658\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>I received B.S. degrees in mathematics and physics from the University of California in San Diego in 1974, and the Ph.D. degree in applied mathematics from California Institute of Technology in 1978. I did postdoctoral research at the Courant Institute and Stanford University. Presently, I am Professor Emeritus of Mathematics at the University of California at Berkeley.<\/p><p>My mathematical interests are\u00a0 nonlinear ordinary and partial differential equations arising from physical sciences. My methods are applied analysis and singular perturbation analysis in particular. <\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-30574e4 elementor-widget elementor-widget-heading\" data-id=\"30574e4\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Links<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6397b2d elementor-widget elementor-widget-text-editor\" data-id=\"6397b2d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Here are a few links to related web sites:<\/p><p><a href=\"http:\/\/math.berkeley.edu\/~neu\/\">My UC Berkeley page<\/a> <br \/><a href=\"http:\/\/www.sckyudo.com\/\">South Carolina Kyudo Renmei<\/a> <br \/><a href=\"https:\/\/14kyudo.wordpress.com\/\"> SC Kyudo newsletter<\/a> <br \/><a href=\"http:\/\/byakkoiba.com\/\">Byakko Kyudojo<\/a> <br \/><a href=\"https:\/\/www.garrisoninstitute.org\/\">Garrison Institute<\/a> <br \/><a href=\"https:\/\/www.floridabudokan.org\/\">Florida Budokan<\/a> <br \/><a href=\"https:\/\/www.kyudo.com\/kyudo-k.html\">Meishin Kyudojo<\/a> <br \/><a href=\"http:\/\/www.japanesearcherycolorado.org\">Zenko Kyudojo<\/a> <br \/><a href=\"https:\/\/www.ikyf.org\/index.html\">International Kyudo Federation<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-06ce201 e-con-full e-flex e-con e-child\" data-id=\"06ce201\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aad9831 elementor-widget elementor-widget-heading\" data-id=\"aad9831\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">About This Site<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9c2ddef elementor-widget elementor-widget-text-editor\" data-id=\"9c2ddef\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>This site explores how the aesthetics and design\u00a0 of yumi (the bow) and ya (the arrow) are informed by mathematics and physics.\u00a0 Insights and proposals are tested by actual yumi and ya making in my shop.\u00a0 Though the outcomes are close to tradition or deeply informed by it, the actual shop processes are far from traditional.\u00a0\u00a0 Articles on the actual doing compliment the aesthetic, mathematical and physical contemplation.<br \/><\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-465c5d9 elementor-widget elementor-widget-text-editor\" data-id=\"465c5d9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><img decoding=\"async\" class=\"size-medium wp-image-684 alignright\" src=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv-300x225.jpg 300w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv-1024x768.jpg 1024w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv-768x576.jpg 768w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv-1536x1152.jpg 1536w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/measure-curv.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p><p>Here are some questions driving the aesthetic and scientific contemplations.<\/p><ul><li>\u00a0The Kyohan (Kyudo training manual) expresses aesthetic aspirations of Kyudo and their physical embodiment in the\u00a0 form of the yumi.\u00a0 In particular, the Kyohan says (p. 14):\u00a0 &#8220;&#8230; the Japanese bow has its grip asymmetrically placed at about one third of its total length &#8230;&#8221;\u00a0 It goes on to say that this asymmetric division into upper and lower arcs enables &#8220;&#8230; a continuous elasticity of power evenly distributed throughout the bow to create a perfect condition of balance. &#8221; Against this backdrop of the familiar enters a unique insight that the Hanshi Hashimoto sensei shared with me.\u00a0 He discovered that the proportion of yumi lengths above and below the grip are consistently close to the Golden Ratio of the ancient Greeks.\u00a0 The initial shock of mysticism is tempered some what when you realize how the &#8220;magic&#8221; intertwines with the practical, traditional rules of yumi making. Are other geometric proportions between the lengths and depths of the five curves also informed by mathematically expressed aesthetics?\u00a0 In modern times, mathematics is often seen as enabling the (seeming) &#8220;possession and mastery of nature,&#8221; as Descartes once put it.\u00a0 Here, we return to an ancient mode, of mathematics as the very expression of beauty itself.<\/li><li>Given the desired shape of the braced yumi, what is the unbraced Urazori (reverse curve) shape that should be laminated in the shop to achieve it?\u00a0 Traditionally, one approaches the final Urazori shape by gradual bending and reshaping of an initally extreme Urazori shape.\u00a0 This is possible for traditional take-yumi made of all natural materials.\u00a0 If the design incorporates modern materials, such as carbon laminations underneath the bamboo, there is very little malleability.\u00a0 In this case, the initial lamination process has to achieve the correct Urazori shape at the outset.\u00a0\u00a0 A precise determination of the Urazori shape based on physics is essential.<\/li><li>How do you select the appropriate stiffness of ya, given the strength of your yumi and the yazuka (depth) of your draw? Western archers choose arrow stiffness according to arrow selection charts, based on the strength of the bow and the length of the arrow. \u00a0 Information on ya selection for Kyudo is sparse.\u00a0\u00a0 Sambu Kyuguten&#8217;s website gives recommendations for ya based only on yumi strength. The second essential factor of arrow length is not mentioned.\u00a0 There is a physics-based extrapolation of selection charts to the range of ya lengths in Kyudo. Does it really apply to Kyudo? What requirements on ya stiffness really emerge when we take into account the specifics of the Kyudo shot? Do traditional ya really meet the stiffness requirements?<\/li><li>Traditional take-ya constructed from single stalks of Yadake bamboo are prized for their natural beauty and feel.\u00a0 These positives come at significant costs and vulnerabilities. \u00a0 You have to cut a great deal of Yadake to find four shafts with consistent weight, stiffness and nodal placements.\u00a0 A lot of yard waste for four ya.\u00a0 Bamboo stalks are prone to longitudinal splitting as they dry out.\u00a0 It is highly likely that strong circumferential stresses remain in the finished ya.\u00a0 Traditional construction of bamboo fly fishing rods suggests the possibility of bamboo ya constructed from many thin strips laminated together.\u00a0 If it can be done, uniform mechanical properties are likely realized, and the lay up with multiple glue lines gives consistent and stable straightness.\u00a0 The trick is:\u00a0 How do you do it?\u00a0 How are you going to lay up six or twelve bamboo strips, each much thinner than a match stick?<\/li><\/ul><p>I address some of these questions as I would a scientific problem,\u00a0 based on my training in physics and applied mathematics.\u00a0 For instance, the templates for the Urazori shape that I actually use in the shop are determined by\u00a0 numerical solutions of the equations governing it.\u00a0 The insights on ya selection are dominated by simple dimensional analysis.\u00a0 The practical engineering of shop processes for laminating yumi and ya is less conceptual.\u00a0 There, most of the learning is done with my hands.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f105d52 elementor-widget elementor-widget-heading\" data-id=\"f105d52\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Who May be Interested<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c1a8cb6 elementor-widget elementor-widget-text-editor\" data-id=\"c1a8cb6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><img decoding=\"async\" class=\"alignright wp-image-692 size-medium\" src=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/group-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/group-300x225.jpg 300w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/group.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/> It is certainly pleasing to know how to shape the yumi to achieve classic elegance and grace.\u00a0 There is the thrill of the perfectly flying ya, knowing that your insights made it it\u00a0 so.\u00a0 Nevertheless,\u00a0 Cartesian motivations\u00a0 of possession and mastery are not &#8220;the bottom of the bucket.&#8221;<\/p><p>I&#8217;ve met Kyudo craftsmen-artists, starting with the recognized yumishi Don Symanski.\u00a0 At Zen Mountain monastery and Toku Dojo in NY, I&#8217;ve met others who under Don&#8217;s influence naturally gravitated to the art of the yumi and ya.\u00a0 All these people including myself enjoy their work and investigations mainly for process itself.\u00a0\u00a0\u00a0 This website reaches out to such kindred spirits.\u00a0 <\/p><p>This learning and knowing, what is its broader context?\u00a0\u00a0 Why know at all, and why in particular knowing colored by mathematics?\u00a0 In my long experience of mathematics and physics,\u00a0 I&#8217;ve felt that this sort of knowing &#8220;invites a presence into the room beyond the knowing itself.&#8221;\u00a0 This is not new, and has been expressed by greater practitioners than myself.\u00a0 It is mysterious and effervescent, as it must be since it is beyond knowing and so the bottom of the aforementioned bucket &#8220;has fallen out.&#8221;\u00a0 <\/p><p>To make this material accessible to the general audience, the web pages on this site highlight the main results, aiming to provide intuition without excessive mathematical or experimental details. More scientifically-oriented readers can find all the &#8220;nuts and bolts&#8221; in the full articles, posted in the PDF format.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bca257c elementor-widget elementor-widget-image\" data-id=\"bca257c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"547\" height=\"32\" src=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/watakuri.jpg\" class=\"attachment-large size-large wp-image-80\" alt=\"\" srcset=\"https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/watakuri.jpg 547w, https:\/\/artchery.org\/wordpress\/wp-content\/uploads\/2023\/12\/watakuri-300x18.jpg 300w\" sizes=\"(max-width: 547px) 100vw, 547px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Merging Aesthetics and Science in the Art of the Yumi and Ya About Me John C. Neu, Ph.D. My practice of Kyudo began in 1993, when I attended a seminar conducted by Don Symanski, a kyudoka and yumishi associated with Zenko International.\u00a0 That early training followed the Heki Ryu Bishu Chikurin Ha style of Kyudo &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/artchery.org\/wordpress\/\"> <span class=\"screen-reader-text\">Home<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-150","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":135,"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/150\/revisions"}],"predecessor-version":[{"id":2730,"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/150\/revisions\/2730"}],"wp:attachment":[{"href":"https:\/\/artchery.org\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}